Beauty of Wildlife photography has the potential to alter our perception of our planet.
This is Earth, and you are looking at Earth.
The perception of animals is important, especially as the loss of wild habitat around the world brings people and animals closer together, and as other human activities, such as poaching and the exotic pet trade, are driving many species to extinction. Humans threaten animals rather than the other way around. Photography is one method for observing real, complex, and sometimes incredible animal behaviour and characteristics. It’s also where we can see the damage we’re causing to the natural world. Vitale’s photograph of Sudan, the last male Northern White Rhino, is one of the most iconic images of the last decade. “It woke people up,” Vitale says. “You realise this is more than just the death of this ancient, gentle, hulking creature. That moment with just one animal exemplifies what we’re doing to this planet and all living creatures on it, including humans.
It was difficult to photograph wildlife in the early days of photography due to slow lenses and the low sensitivity of photographic media. Earlier photographs of animals were frequently of captive animals. These included photographs of lion cubs taken at the Bristol Zoo in 1854 and photographs of the last Quagga taken by Frank Hayes in 1864. When faster photography emulsions and faster shutters became available in the 1880s, wildlife photography gained popularity. These advancements result in photos like the ones taken by German Ottomar Anschutz in 1884, the first shots of wild birds in action. National Geographic published its first wildlife photographs in July 1906.
The Photographic Society of America, the Fédération Internationale de l’Art Photographique, and the Royal Photographic Society have agreed on a definition of nature and wildlife photography that will be used in photography competitions. Wildlife photography techniques differ significantly from landscape photography techniques. Wide apertures, for example, are used in wildlife photography to achieve a fast shutter speed, freeze the subject’s motion, and blur the backgrounds, whereas landscape photographers prefer small apertures. Wildlife is typically photographed from a great distance with long telephoto lenses; the use of such telephoto lenses frequently necessitates the use of a tripod (since the longer the lens, the harder it is to handhold). Many wildlife photographers employ blind photography.
Lions have been depicted as noble warriors, kings, and even gods throughout history and across cultures. In CS Lewis’s books, Aslan the Lion is essentially Jesus in the big-cat form: holy, pure-hearted, and undefeated by death. Lions guard the entrances to palaces and cities. The goddesses of Babylon rode chariots drawn by lions. Lions are now used as logos on automobiles and football jerseys. Many people believe lions are doing well because they are an enduring symbol of strength and bravery. However, we have lost half of Africa’s lion population in the last 25 years, owing to habitat loss, human-wildlife conflict, and the bushmeat trade.
Night Sky Landscape Photography
Many factors contribute to successful night sky landscapes that reveal the details in the terrestrial foreground beneath a spectacular canopy of stars, from camera gear to composition, exposure settings, and post-processing. In this article, we’ll look at how to combine foreground and sky exposures into a single image with sharp stars. I prefer to use only exposures taken in the same location on the same night without moving the camera. Let’s start with a finished photo and break it down into the individual exposures that went into making it.
The sky appears to be in good shape; there is some noise, but it is manageable with some noise reduction, and we could drastically reduce the noise with star stacking techniques if desired. In contrast, the foreground is extremely noisy and unusable. If we want to create high-quality night sky landscapes, we need a way to have a brighter and less noisy foreground. This foreground will not be saved by noise reduction software; it is simply too dark and has too little detail. We require more light.
Water in motion is another popular subject for photographing the element of water: streams, creeks, rivers, and waterfalls. These are especially photogenic after the leaves have fallen on the ground and along the water during the peak of fall colour. To achieve the smooth look of longer exposures, use a neutral density filter to reduce light and allow for slower shutter speeds of several seconds. This effect gives the water a smooth, silky appearance, adding a surreal detail to your autumn photographs. Long exposures on areas with floating leaves on top of the water can create swirling patterns, adding foreground interest to your image.
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